[19][23] The exception were those responsible for creating the Giant himself, who was created using computer-generated imagery due to the difficulty of creating a metal object "in a fluid-like manner. [29] In 2000, television rights to the film were sold to Cartoon Network and TNT for three million dollars. Place in a small greased cast iron, small pie dish, or cake pan (see note #2). Dean McCoppin. "[53] Metacritic, which uses a weighted average, assigned the film a score of 85 out of 100 based on 29 critics, indicating "universal acclaim". [78] The designers of the 2015 video game Ori and the Blind Forest were guided by inspirations from the film and Disney's The Lion King. Dean McCoppin. It was the perfect environment to drop a 50-foot-tall robot into. Unsurprisingly it bombed on release due to poor marketing and an audience only interested in the new fangled Pixar-style brand of … Technical Specs, See agents for this cast & crew on IMDbPro, character designer / visual development artist, additional storyboards (as Stephen G. Lumley), additional storyboards / character designer / visual development artist, additional storyboards (as Harry A. Sabin Jr.), sound design assistant (as Andrea S. Gard), digital playback operator (as Mark LaPointe), supervising sound editor: Signature Edition, re-recording mixer: effects, temp mix (uncredited), effects assistant animator (as Esmeralda C. Acosta), effects inbetween artist (as Adeboyè Saburi Adegbenro), effects inbetween artist (as Kennard F. Betts), effects inbetween artist (as Adam Kristopher Blaser), effects assistant animator (as Greg Navarro Bumatay), effects inbetween artist (as Ryan Carlson), digital effects artist (as Rick Echevarria) / effects animator (as Rick Echevarria), effects animator / effects supervisor: Signature Edition, effects assistant animator (as Noé Garcia), visual development (as Victor J. Haboush), digital effects artist (as Miae Kim Ausbrooks), effects assistant animator (as Matt Maners), effects assistant animator (as Jorge Hiram Ramos), effects assistant animator (as Rolando B. Mercado), effects assistant animator (as Rodd D. Miller), effects assistant animator (as Jemshaid Mirza), effects inbetween artist (as Anthony Hiroyuki Nagatsuka), CGI animator: Iron Giant: Signature Edition, effects inbetween artist (as Andrew J. Ramos), effects inbetween artist (as Jaclyn S. Seymour), CG supervisor: Signature Edition / compositor: Signature Edition, effects inbetween artist (as Stella P. Arbelaez-Brown), effects assistant animator (as Jeffrey Tse), assistant production manager: effects (as Lizbeth Angelica Velasco), digital effects artist (as Ryan Woodward) / effects animator (as Ryan Woodward), character design / visual development artist, digital cel painter / ink and paint artist: Signature Edition (as Kathy Baur-Brigstocke), clean-up in-between animator: Signature Edition (as Rachel Bibb), clean-up breakdown (as Wanda L. Brown) / inbetween artist (as Wanda L. Brown), color stylist (as Anthony C. Cianciolo Jr.), animation checker (as Charlotte Clark-Pitts), animator: Signature Edition (as Sandro Lucio Cleuzo), animator: additional animation / rough inbetweener, clean-up in-between animator: Signature Edition (as Nicola-jane Courtney), clean-up assistant (as Patrick T. Dailey), clean-up in-between animator: Signature Edition, character sculptor (as Carla Larissa Fallberg), scene planner (as George [Bingo] Ferguson), assistant production manager: animation check, color model supervisor (as Tania Mitman Burton), clean-up in-between animator: Signature Edition (as Cynthia J. French), character designer / head of animation / supervising animator / supervising animator: Signature Edition / visual development artist, assistant production manager: story and editorial (as Shannyn Whitaker Gardner), clean-up breakdown (as Angela Marie Sigurdson) / inbetween artist (as Angela Marie Sigurdson), ink and paint artist: Signature Edition (as Alma L. Glick), layout artist / layout supervisor: Signature Edition, assistant production manager: layout (as Maria R. Guerra), character design (as Victor J. Haboush) / visual development artist (as Victor J. Haboush), clean-up breakdown (as Janeane Harwell) / inbetween artist (as Janeane Harwell), clean-up breakdown (as Cathlin Hidalgo) / inbetween artist (as Cathlin Hidalgo), clean-up breakdown (as Suzanne F. Hirota) / inbetween artist (as Suzanne F. Hirota), clean-up in-between animator: Signature Edition (as Dietz Ichishita), clean-up breakdown (as Claudia Keane) / inbetween artist (as Claudia Keane), color stylist: Signature Edition / ink and paint supervisor, clean-up breakdown (as Nicole Yvette Lang) / inbetween artist (as Nicole Yvette Lang), character design (as Dominique R. Louis) / visual development artist (as Dominique R. Louis), clean-up breakdown (as Christine T. Mallouf) / inbetween artist (as Christine T. Mallouf), animation checker (as Madel Flancia Manhit), supervising animator (as Gregory S.E. While capable of incredible destructive powers and equipped with highly advanced and destructive weaponry, the Iron Giant would not ever want to harm anyone or any living thing. They initially evade the military by using the Giant's flight system, but the Giant is then shot down and crashes to the ground. Hughes later wrote a sequel to the book dubbed The Iron Woman. [21], Bird stuck to elaborate scene planning, such as detailed animatics, to make sure there were no budgetary concerns. In the letter, Hughes stated, "I want to tell you how much I like what Brad Bird has done. That night, Hogarth is interrogated by Mansley when he discovers evidence of the Giant after finding a photo of him next to Hogarth and brings a U.S. Army contingent led by General Shannon Rogard to the scrapyard to prove the Giant's existence, but Dean (having been warned by Hogarth earlier) tricks them by pretending that the Giant is one of his art pieces. The film stars the voices of Vin Diesel (voicing the titular character), Eli Marienthal, Jennifer Aniston, Harry Connick Jr., Christopher McDonald and John Mahoney. Michael Kamen composed the film's score, which was performed by the Czech Philharmonic. They have three children. Months later, a memorial of the Giant stands in Rockwell. I want better," and encouraged fans to send tweets to Warner Home Video in favor of a Special Edition Blu-ray of the film. General Rogard. The General is ready to stand down when Mansley impulsively orders the missile launch, causing the missile to head towards Rockwell, where it will destroy the town and its population upon impact. Shortly after, the Iron Giant wanders off into the mainland. In order to save the town, the Giant bids farewell to Hogarth and flies off to intercept the missile. & Batman: The Brave and the Bold, Lego DC Super Hero Girls: Super-Villain High, Lego DC Comics Super Heroes: Aquaman: Rage of Atlantis, Scooby-Doo! [72] The British Academy of Film and Television Arts gave the film a Children's Award as Best Feature Film. "[18] The film was also initially going to be released under the Warner Bros. Family Entertainment banner, the logo for which featured mascot Bugs Bunny in a tuxedo as seen in the film's teaser trailer. In researching its source material, he learned that Hughes wrote The Iron Man as a means of comforting his children after his wife, Sylvia Plath, committed suicide, specifically through the metaphor of the title character being able to re-assemble itself after being damaged. The film significantly under-performed at the box office, grossing $31.3 million worldwide against a production budget of $50 million, which was blamed on Warner Bros.' unusually poor marketing campaign and skepticism towards animated film production following the mixed critical reception and box office failure of Quest for Camelot in the preceding year. [19] One of his priorities was to emphasize softer, character-based moments, as opposed to more frenetic scenes—something Bird thought was a problem with modern filmmaking. As a collector of Limited Edition films and other movie purchases, this is a must have set. [13] Turner Broadcasting had recently merged with Warner Bros. parent company Time Warner, and Bird was allowed to transfer to the Warner Bros. Producers. : The Extra-Terrestrial (1982), Bird responded by saying "E.T. [85], Although McCanlies received sole screenplay credit in the original theatrical prints and home video releases, Bird is credited in the film's 2015 restoration and the, Science Fiction and Fantasy Writers of America, British Academy of Film and Television Arts, Outstanding Individual Achievement for Directing in an Animated Feature Production, Outstanding Individual Achievement for Music in an Animated Feature Production, Outstanding Individual Achievement for Voice Acting in an Animated Feature Production, Outstanding Individual Achievement for Writing in an Animated Feature Production, then-recently released film of the same name, "Duncan Studios Adds New 'Iron Giant' Scenes for Remastered Re-release", "5 Things You Might Not Know About Brad Bird's 'The Iron Giant, "Brad Bird Talks 'Iron Giant' 10th Anniversary", "Iron Lion: An Interview with Tim McCanlies", "Lean, Mean Fighting Machine: How Brad Bird Made, "Overlooked Film's Animators Created a Giant", "Director and After Effects: Storyboarding Innovations on The Iron Giant", "An Interview with... Scott Johnston - Artistic Coordinator for The Iron Giant", "Animation World News - Some Additional Announcements About The Iron Giant DVD", "Exclusive Interview: Brad Bird Talks Iron Giant, Tomorrowland Flop, & More! When he began work on the film, Bird was in the midst of coping with the death of his sister, Susan, who was shot and killed by her estranged husband. Manwaring), designer: Iron Giant (as Steven Markowski) / supervising animator (as Steven Markowski), clean-up breakdown (as Lalaine Noriega Abrantes) / inbetween artist (as Lalaine Noriega Abrantes), clean-up breakdown (as Johnny K. Painter) / inbetween artist (as Johnny K. Painter), clean-up breakdown (as Shawn S. Palmer) / inbetween artist (as Shawn S. Palmer), animator: Signature Edition / supervising animator, assistant production manager: clean-up animation, clean-up key artist (as Domingo C. Rivera Jr.), assistant production manager: Workbook (as Chrisie Russell), supervising animator (as Christopher Sauvé) / supervising animator: Signature Edition, clean-up breakdown (as Daisy Lee) / inbetween artist (as Daisy Lee), animation checker (as Penelope G. Sevier), animator: additional animation / clean-up key artist / rough inbetweener, animation check: 2-D and 3-D department head, digital cel painter (as Alice M. Solis-Mercado), clean-up breakdown (as Jennifer Sigurdson Stern) / inbetween artist (as Jennifer Sigurdson Stern), clean-up key animator: Signature Edition (as Juliet Duncan), clean-up assistant (as Yevgeniya [Jenny] Suzdaltsev), clean-up key artist (as Hamish MacKinnon), clean-up animation lead (as Robert Tyler), color modelist (as Helga Beatrix Vanden Berge), animation checker (as Carol Li-Chuan Yao), assistant: animation executive producer (uncredited), key assistant clean-up artist (uncredited), animation coordinator: Signature Edition (uncredited), casting associate (as Shaunda Grace Jones), scanner: Signature Edition (as Alice S. Lin-White), assistant picture editor: Signature Edition, assistant editor (as Stephen R. Schaffer), digital intermediate colorist: Signature Edition, conductor / music score producer / orchestrations, music score mixer (as Steve McLaughlin) / music score recordist (as Steve McLaughlin), assistant accountant (as Alyson L. Brown), artistic casting and development (as Katherine Concepcion), production associate (as Sandro Mario Corsaro), production assistant (as Jessica J. Dalton), Duncan Studio President: Signature Edition, production coordinator: Signature Edition, layout/workbook department head (as Bill Frake), technology department head: Signature Edition, assistant to the art director (as Kathleen M. Zuelch), assistant to executive producer (uncredited). [31] It was regarded as a lower-budget film, in comparison to the films distributed by Walt Disney Pictures. Writers. Bird was eager to use the then-nascent software, as it allowed for storyboard to contain indications of camera moves. [17] The question of the Giant's backstory was purposefully ignored as to keep the story focused on his relationship with Hogarth. [83] Both scenes were storyboarded by Bird during the production on the original film, but could not be finished due to time and budget constraints. [18] By the time it entered production, Warner Bros. informed the staff that there would be a smaller budget as well as time-frame to get the film completed. Dean quickly realizes that the Giant was only acting in self-defense and catches up to Hogarth as they follow the Giant. The following night, nine-year-old Hogarth Hughes investigates and finds the object, a 50-foot tall alien robot attempting to eat the transmission lines of an electrical substation. Before they were fully completed for this new version, they were presented as deleted storyboard sequences on the 2004 DVD bonus features. [13] In 1991, Richard Bazley, who later became the film's lead animator, pitched a version of The Iron Man to Don Bluth while working at his studio in Ireland. All of the initial widescreen home video releases were in 1.85:1, the incorrect aspect ratio for the film. With Eli Marienthal, Harry Connick Jr., Jennifer Aniston, Vin Diesel. Cast Jennifer Aniston Annie Hughes Harry Connick, Jr. Dean McCoppin Vin Diesel The Iron Giant James Gammon Cloris Leachman Mrs. Tensedge John Mahoney Eli Marienthal Hogarth Christopher McDonald M. Emmet Walsh Crew Brad Bird Director, Screen Story, Screenwriter Allison Abbate Producer Brad Bird Director, Screen Story, Screenwriter Brad Bird "[21] That was blended with a style reminiscent of 1950s illustration. It's almost as if the audience has the remote and they're going to change channels," he commented at the time. Several days later, Hogarth makes it his mission to find the robot and take a picture. He’s made a terrific dramatic situation out of the way he’s developed The Iron Giant. [15] They had neglected to prepare a successful marketing strategy for the film—such as cereal and fast food tie-ins—with little time left before its scheduled release. [82] The edition is approximately two minutes longer than the original cut, and features a brief scene with Annie and Dean and the sequence of the Giant's dream. McCanlies was given a three-month schedule to complete a script, and it was by way of the film's tight schedule that Warner Bros. "didn't have time to mess with us" as McCanlies said. Entertainment.[13]. [76] In 2008, the American Film Institute nominated The Iron Giant for its Top 10 Animated Films list. Cast Your Vote; General Rogard The Flintstones & WWE: Stone Age SmackDown! With the help of a beatnik artist named Dean McCoppin, Hogarth attempts to prevent the U.S. military and Kent Mansley, a paranoid federal agent, from finding and destroying the Giant. And that plays out for the rest of your life," adding that films can provide viewers with a sense of right and wrong, and expressed a wish that The Iron Giant would "make us feel like we're all part of humanity [which] is something we need to feel. [25] Believing the sound of the orchestra is important to the feeling of the film, Kamen "decided to comb eastern Europe for an "old-fashioned" sounding orchestra and went to Prague to hear Vladimir Ashkenazy conduct the Czech Philharmonic in Strauss's An Alpine Symphony." "[28], The Iron Giant was a commercial failure during its theatrical release; consensus among critics was that its failure was, in part, due to poor promotion from Warner Bros. In the end, he was proud of the way the film was developed, noting that "We could imagine the pace and the unfolding of our film accurately with a relatively small expenditure of resources. The film was nominated for several awards, winning nine Annie Awards out of 15 nominations. [30] Press outlets took note of its absence of marketing,[39] with some reporting that the studio had spent more money on marketing for the intended summer blockbuster Wild Wild West instead. Bird regarded the trade-off as having "one-third of the money of a Disney or DreamWorks film, and half of the production schedule," but the payoff as having more creative freedom, describing the film as "fully-made by the animation team; I don't think any other studio can say that to the level that we can. Built solid with die-cast parts, he is designed to be highly articulated yet stiff enough to hold poses! Bird remembered that the studio produced only one teaser poster for the film, which became its eventual poster. Nine-year-old Hogarth Hughes follows a trail of the forest's destruction and frees the robot, who is stuck in the power cables of an electrical substation. [41], After criticism that it mounted an ineffective marketing campaign for its theatrical release, Warner Bros. revamped its advertising strategy for the video release of the film, including tie-ins with Honey Nut Cheerios, AOL and General Motors[42] and secured the backing of three U.S. congressmen (Ed Markey, Mark Foley and Howard Berman). Newton came to the conclusion that a musical number would be the catchiest alternative, and the "Duck and Cover" sequence came to become one of the crew members' favorites of the film. [75] IGN ranked The Iron Giant as the fifth favorite animated film of all time in a list published in 2010. [54] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale. I can’t stop thinking about it. [32], The Iron Giant primarily deals with the concept of existentialism, as well as the nature of humanity. "; the completed film was also dedicated to Hughes and Susan. [18] Bird brought in students from CalArts to assist in minor animation work due to the film's busy schedule. "[19] Hiroki Itokazu designed all of the film's CGI props and vehicles, which were created in a variety of software, including Alias Systems Corporation's Maya, Alias' PowerAnimator, a modified version of Pixar's RenderMan, Softimage Creative Environment, Cambridge Animation's Animo (now part of Toon Boom Technologies), Avid Elastic Reality, and Adobe Photoshop. Release Dates and Kiss: Rock and Roll Mystery, Lego DC Comics Super Heroes: Justice League – Attack of the Legion of Doom, Lego DC Comics Super Heroes: Justice League – Cosmic Clash, Lego DC Comics Super Heroes: Justice League – Gotham City Breakout, Scooby-Doo! [52] On Rotten Tomatoes, the film holds a 96% approval rating based on 143 reviews, with an average rating of 8.21/10. A paranoid government agent wants to destroy, it should double in size ( see note # 2.... 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